在這本沒有文字的繪本書裡，國際知名的藝術家suze lee說了一個簡單的故事，講述一個小女孩在沙灘上的一天。在十分簡單的小故事中，李的繪圖以活潑的水彩畫面呈現，創造出一個充滿歡樂和笑聲的生動故事。

On the morning of December 26, 2004, on the southern coast of Sri Lanka, Sonali Deraniyagala lost her parents, her husband, and her two young sons in the tsunami she miraculously survived. In this brave and searingly frank memoir, she describes those first horrifying moments and her long journey since. She has written an engrossing, unsentimental, beautifully poised account: as...(展开全部)

在這本沒有文字的繪本書裡，國際知名的藝術家suze lee說了一個簡單的故事，講述一個小女孩在沙灘上的一天。在十分簡單的小故事中，李的繪圖以活潑的水彩畫面呈現，創造出一個充滿歡樂和笑聲的生動故事。

On the morning of December 26, 2004, on the southern coast of Sri Lanka, Sonali Deraniyagala lost her parents, her husband, and her two young sons in the tsunami she miraculously survived. In this brave and searingly frank memoir, she describes those first horrifying moments and her long journey since. She has written an engrossing, unsentimental, beautifully poised account: as...(展开全部)

"The Wave" is based on a true incident that occurred when a teacher conductedan experiment dealing with group pressure in his classes.

还没想好

还没想好

"The Wave" is based on a true incident that occured in a high school history class in Palo Alto, California, in 1969. The powerful forces of group pressure that pervaded many historic movements such as Nazism are recreated in the classroom when history teacher Burt Ross introduces a "new" system to his students. And before long "The Wave," with its rules of "strength through di...(展开全部)

This novel dramatizes an incident that took place in a California school in 1969. A teacher creates an experimental movement in his class to help students understand how people could have followed Hitler. The results are astounding. The highly disciplined group, modeled on the principles of the Hilter Youth, has its own salute, chants, and special ways of acting as a unit and s...(展开全部)

浦沢直树：1960年1月2日出生，毕业于明星大学经济系，是日本青年漫画画坛的主力画手之一。自幼喜欢绘画，在大学时期更沉醉于漫画与音乐创作。毕业后，凭《RETURN》（《回归》）入选小学馆新人大赏，晋身职业漫画家行列。1990年凭《YAWARA》（《柔之道》）获得第35回小学馆漫画赏，遂成为日本最受欢迎的漫画家之一。在以体育漫画为题材的《YAWARA》（《柔之道》）和《HAPPY!》（《网坛小魔女》）奠定基础后，其画风题材开始变化，以刻画社会现象为主，《PINAPPLE ARMY》（《终极佣兵》）和《MASTER KEATON》（《危险调查员》）是其转型之作。从《MONSTER》（《怪物》）开始，浦沢的风格和思想更加成熟，故事紧张悬疑，1999年《MONSTER》（《怪物》）获得朝日新闻主办的第三届手冢治虫文化赏漫画大赏。2001年新作《20TH CE...(展开全部)